What is cindy sherman known for
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Biography
Cindy Sherman's work is probably the most broadly successful of any of the artists who emerged in the late 1970s and were described by critics as "postmodern." She has consistently and prolifically produced photographs that incorporate theoretical concerns with subtlety and sophistication into visually compelling and psychologically powerful images. Unlike many of her fellow contemporary artists, she has avoided the use of text, and has resisted making theoretical pronouncements about her work.
Sherman's first one-person exhibit was held in 1979 at Hallwalls in Buffalo, New York, where she had attended the State University College, receiving a BA in 1976. From 1975 to 1980, Sherman produced a large body of Untitled Film Stills: small black and white prints depicting Sherman in costume within simulated scenarios evocative of film noir, B-movies, and French New Wave films. She continued to explore feminine stereotypes through a characteristic directorial approach in which she employs herself as model. From 1982 to 1984 her treatment of conventional gender roles and c
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Cindy Sherman
American photographer (born 1954)
Cynthia Morris Sherman (born January 19, 1954)[2] is an American artist whose work consists primarily of photographicself-portraits, depicting herself in many different contexts and as various imagined characters.
Her breakthrough work is often considered to be the collection Untitled Film Stills, a series of 70 black-and-white photographs of herself evoking typical female roles in performance media (especially arthouse films and popular B-movies).
Early life and education
Sherman was born in 1954, in Glen Ridge, New Jersey, the youngest of the five children of Dorothy and Charles Sherman.[3][4] Shortly after her birth, her family moved to the township of Huntington, Long Island. Her father worked as an engineer for Grumman Aircraft.[5] Her mother taught reading to children with learning difficulties.[6] Sherman has described her mother as good to a fault, and her father as strict and cruel.[7] She was raised Episcopalian.[8]
In 1972, Sherman
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Summary of Cindy Sherman
Cindy Sherman is a contemporary master of socially critical photography. She is a key figure of the "Pictures Generation," a loose circle of American artists who came to artistic maturity and critical recognition during the early 1980s, a period notable for the rapid and widespread proliferation of mass media imagery. At first painting in a super-realist style in art school during the aftermath of American Feminism, Sherman turned to photography toward the end of the 1970s in order to explore a wide range of common female social roles, or personas. Sherman sought to call into question the seductive and often oppressive influence of mass-media over our individual and collective identities. Turning the camera on herself in a game of extended role-playing of fantasy Hollywood, fashion, mass advertising, and "girl-next-door" roles and poses, Sherman ultimately called her audience's attention to the powerful machinery and make-up that lay behind the countless images circulating in an incessantly public, "plugged in" culture. Sexual desire and domination, the f
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