Wouter deruytter biography

Born 1967, Belgium The photographs of Belgian photographer Wouter Deruytter offer us a view into worlds not usually opened to us. Always on the lookout for adventure, he likes to see himself as a modern day Tintin, photographing his experiences along the way. Through his lens we get to look inside cultures as diverse as the New York drag scene and the life of wealthy oil sheiks behind their palace walls. In his photographs Deruytters tries to find both the extreme and the intimate of these private communities. He tries to tell us that it is possible to exist outside the grand happening of things, that although always changing, people can live outside the times they live in. His photographs of rodeo cowboys in America make this abundantly clear. These cowboys show us a world thought (even by themselves) to be long gone. Deruytter isn't purely historical or even nostalgic in his choice of pictures, he also tries to show the clash (or cooperation) with modern times. Being a real travelling reporter, he wants to show the noble and the tragic side of folklore. He looks for the bal

Wouter Deruytter

2011 Galerie Torch, Amsterdam (N) (Billboards, NY)
          Art Chicago, Barry Singer Gallery, (Billboards, NY & Wicked Creek)

2010 Galeria Omar Alonso, Puerto Vallarta, Mexico (Eroi e Onore)
2009 PULSE New York Contemporary Art Fair, Light & Sie Gallery (1989-2009 Survey)

          Galeria Omar Alonso, Puerto Vallarta, Mexico (Wicked Creek)

2008 Light & Sie Gallery, Dallas, TX, U.S.A. (Wicked Creek) (cat.)
          Galeria Omar Alonso, Puerto Vallarta, Mexico (homage to Maurice Béjart) (cat.) Oswald Gallery, Jackson, Wyoming, U.S.A. (Crow Warriors)

2007 United Nations, New York (Crow Warriors)
          David Gallery, Los Angeles, CA (USA) (Billboards, NY)

2006 Caermersklooster Museum, Ghent (B) (Billboards, NY) (cat.)

          Galeria Omar Alonso, Puerto Vallarta, Mexico (Billboards, NY)

          Packard Reath Gallery, Lewes, DE (USA) (Cowboy Code)

2005 Chelsea Art Museum, New York

Wouter Deruytter

Introduction

In Wouter Deruytter’s work, attractive giants tower over the streets of New York. Clad in tight underwear and skinny jeans in the latest styles, their toned bodies are on display. These oversized models dominate the image of New York city, watching over the countless passersby at their feet. At first glance, they appear intimidating. But Deruytter makes one thing clear in his work: New Yorkers are not oppressed by the size of these giant ads. Instead, the people simply go about their own business. They present an intersection between the fashion world and reality, and the Belgian photo artist captures them with great finesse. There is always a special relationship between the models and the foot traffic with a certain dynamic and tension to it. Throughout this, Deruytter shows his extraordinary talent for capturing the perfect moment.

Shot in classic black-and-white, Deruytter’s work inhabits a space somewhere between staged and candid. They are direct, barefaced depictions of New York streets, but at the same time , the feel theatrical and arr

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