Otagaki rengetsu biography
- Rengetsu was born with the given name Nobu in the spring of 1791, likely the secret daughter of a geisha and Todou Yoshikiyo, chief retainer of the Iga-Ueno.
- Ótagaki Rengecu (1791-1875) - Lótusz Hold - japán buddhista szerzetesnő, kalligráfus, költő és keramikus volt.
- Rengetsu was raised a woman of Samurai class; beautiful, well educated, trained in martial arts, tea ceremony, calligraphy and more.
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Ōtagaki Rengetsu
Buddhist nun, poet and potter (1791–1875)
In this Japanese name, the surname is Ōtagaki.
Ōtagaki Rengetsu | |
|---|---|
Depiction of Ōtagaki Rengetsu at a high age, writing | |
| Born | (1791-02-10)10 February 1791 |
| Died | 10 December 1875(1875-12-10) (aged 84) |
| Nationality | Japanese |
| Known for | Poetry, Painting, Calligraphy, Pottery |
Ōtagaki Rengetsu (大田垣 蓮月, 10 February 1791 – 10 December 1875) was a Buddhist nun who is widely regarded to have been one of the greatest Japanese poets of the 19th century. She was also a skilled potter and painter and expert calligrapher.
Biography
She was the daughter of a courtesan and a nobleman. Born into a samurai family with the surname Tōdō, she was adopted at a young age by the Ōtagaki family.[1] She was a lady in waiting at Kameoka Castle from age 7 to 16, when she was married.[1] She was married twice and had five children.
However, her husband died in 1823. She became a Buddhist nun at the age of thirty after burying both husbands, all of her children, her stepmother
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Early Years(1791~1803)
Rengetsu was born with the given name Nobu in the spring of 1791, likely the secret daughter of a geisha and Todou Yoshikiyo, chief retainer of the Iga-Ueno fief. She was adopted as an infant into the Otagaki family by its patriarch Teruhisa (born Banzaemon), a worker (and later a priest) at Chion’in in Kyoto, the main temple of the Pure Land sect of Buddhism (Joudo Shinshuu). Through the agency of her adoptive father and perhaps her birth father, she was sent, a
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Here are biographical glosses for many of the painters and potters Rengetsu was significantly connected to, two of her major literary influences, and several minor artists with whom she may have collaborated with only once. This list is by no means comphrehensive, but will provide an idea of the circles she travelled in and some details from the lives of those artists and writers:
Tomioka Tessai富岡 鉄斎 (1837~1924)
By far the most personally and artistically important of all of Rengetsu’s collaborators. We are preparing an elaborate biography which will be pos
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