Fine art course berlin
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Big Break Mexico was taped at Playa Paraiso Golf Club in Riviera Maya, Mexico. Prizes for the winner included an exemption into the 2013 Lorena Ochoa Invitational on the LPGA Tour if the winner was a women; for a male champion, an exemption into the 2013 OHL Classic at Mayakoba.
The hosts were Tom Abbott and Stephanie Sparks. Lorena Ochoa made an appearance in one episode, and she attempted the signature Big Break glass break challenge. Ochoa broke the glass on her first attempt.
'Big Break Mexico' Cast Members
Here are the 12 golfers who made up the cast of Big Break Mexico, with their ages and locations at the time the series aired:- Lindsey Bergeon, age 26 from Sarasota, Fla.
- Taylor Collins, age 23 from Ft. Lauderdale, Fla.
- Matthew Galloway, age 27 from Tampa, Fla.
- McKenzie Jackson, age 24 from Scottsdale, Ariz./Uniontown, Ohio
- Stefani
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Lawrence Journal-World 12-17-11
SPECIAL SHOPPING TRIP
SPLIT DECISION
Law enforcement officers help kids buy toys
LHS boys win in OT; LHS girls lose to Free State
Lawrence & State 3A
Sports 1B
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Morning on the Kaw
Journal-World File Photo
The Capitol dome in Topeka
Capitol dome to cost $10.3M By Scott Rothschild srothschild@ljworld.com
John English/Special to the Journal-World
STEAM RISES FROM THE KPL PLANT on the Kansas River in this early-morning aerial view Friday north of Lawrence.
KANSAS COURT OF APPEALS
Jaeger received a fair trial, judges rule —————
‘We conclude that the evidence in the record overwhelmingly supports the jury’s verdict’ By Scott Rothschild srothschild@ljworld.com
TOPEKA — A panel of the Kansas Court of Appeals on Friday affirmed the conviction of Matthew Jaeger, who was sentenced to nine years in prison for a brutal attack on his former girlfriend in Lawrence. The three-judge panel considered numerous issues brought up by Jaeger, but concluded that h
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The silent morning
This book revisits the end of the First World War to ask how that moment of silence was to echo into the following decades. It looks at the history from a different angle, asking how British and German creative artists addressed, questioned and remembered the Armistice and its silence. The book offers a genuinely interdisciplinary study, bringing together contributions from scholars in art history, music, literature and military history. It is unique in its comparison of the creative arts of both sides; assessing responses to the war in Britain, Germany and Austria. Together, the different chapters offer a rich diversity of methodological approaches, including archival research, historical analysis, literary and art criticism, musical analysis and memory studies. The chapters reconsider some well-known writers and artists to offer fresh readings of their works. These sit alongside a wealth of lesser-known material, such as the popular fiction of Philip Gibbs and Warwick Deeping and the music of classical composer Arthur Bliss. The wide
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